
Jakobois
Biography
The road which led Jakobois, like many experimental film-makers, to filmic expression was painting. This development he owes to a succession of encounters and personal choices rather than to a university or art school. He has worked in the mediums of sculpture and painting since 1972, influenced by the writings of Jean Dubuffet and the work of Paul Klee, exploring the confluence between minimal art and gestural expression. His first encounters with experimental film date back to 1976, and occurred in the meeting places and specialized programs which at the time proliferated on both banks of the Seine in Paris. He began with using the Super 8 medium, working autonomously as an "artist film maker". His work has been seen in many film festivals as far as Rotterdam, London, Tokyo, Moscow and New York, including a major retrospective season of his films in Paris at the Centre Pompidou in 1988. He was a member of the group "4 à 4 Métro BarbèsRochechou Art" with Téo Hernandez, Michel Nedjar and Gaël Badaud.
Known For(17 works)

Cinématon
1978Cinématon
1978

4 à 4 Métro-Barbès-Rochechou-Art
19834 à 4 Métro-Barbès-Rochechou-Art
1983

Fragments
1987Fragments
1987

Cristo
1977Cristo
1977

Lacrima Christi
1980Lacrima Christi
1980

Mesures de miel et de lait sauvage
1984Mesures de miel et de lait sauvage
1984

Chutes de Lacrima Christi
1984Chutes de Lacrima Christi
1984

Chutes de Michel Nedjar
1984Chutes de Michel Nedjar
1984

Bouquet of Eyes
1983Bouquet of Eyes
1983

Rumeurs Saint-Maur
1986Rumeurs Saint-Maur
1986

Three Drops of Mezcal in a Glass of Champagne
1983Three Drops of Mezcal in a Glass of Champagne
1983

Crime contre le cinéma
2020Crime contre le cinéma
2020

Sur Graal de T.H.
1981Sur Graal de T.H.
1981

Chutes de trois gouttes de mezcal dans une coupe de champagne
Chutes de trois gouttes de mezcal dans une coupe de champagne

Paranorama 1 et 2
1978Paranorama 1 et 2
1978

Cinématon n°251 : Jakobois
1982Cinématon n°251 : Jakobois
1982

Lougarou de Nouillorque
1978Lougarou de Nouillorque
1978